Deliveroo is a platform for food delivery, using the model of Uber, which has become the archetypal example of this kind of organisation. Platforms have grown rapidly in recent years, something captured in the refrain for new companies that they will be the ‘Uber for X’ (Srnicek, 2017: 37). Like Uber, Deliveroo is pitched as a platform that connects customers with food and the riders to deliver it. Deliveroo can therefore be considered as the ‘Uber for food delivery’, despite the fact it also competes with Uber’s own UberEats offering.
Feminism is dead? Long live feminism!
Is it feasible to explore, dissect and live feminism within academia, a system that contributes and feeds into the very discrimination and violence denounced by feminism itself? And if so, what are the tools necessary to dismantle the master’s house to paraphrase Lorde (1984)? What is the role of activism and writing, and how can we incorporate these practices in feminism?
Somatic pedagogies: Critiquing and resisting the affective discourse of the neoliberal state from an embodied anarchist perspective
This paper emerges from the ‘turn to affect’ in the humanities and social sciences. Explicit use of the terminology of ‘affect’ generally comes from critical paradigms, yet I argue that this response is situated within a wider context of neoliberal state discourse that harnesses affect to produce compliant subjects.
At a time when in the UK the government is undertaking a fundamental reform of social security, this book should be made compulsory reading by everyone involved in designing and delivering welfare payments systems, from Ministers to frontline staff. The book explores the dynamics of the lives of people who ‘churn’ between low-pay jobs and social welfare. Unlike most of this special issue, it is not specifically focused on the concept of ‘employability’, but the research emerged out of previous work by the authors which examines the early transitions of young people into the labour market.
On AT&T Plaza in Chicago’s Millennium Park stands a giant stainless steel sculpture in the shape of an indented ellipsoid, 66 feet long, 33 feet high, weighing 110 tons and glistening in the sun like a drop of liquid mercury. Entitled Cloud Gate by the British artist Anish Kapoor and nicknamed ‘the Bean’ by locals, it cost 11.5 million dollars and immediately became what it was always intended to be, an urban attraction photographed by endless tourists, the world-renowned symbol of a creative city.