politics
Capitalist unrealism: Countering the crisis of critique and imagination
Introduction: Capitalism, unpacked
How does capitalism – in its various guises – capture the value that we produce in society? There are many ways to answer this question, because capitalism has many ways to extract value from us (Chertkovskaya et al., 2016; Hanlon, 2017). On the surface, everything seems above board. Businesses erect factories and offices for us to work in; workers sign contracts and receive wages for their daily efforts; and shareholders put in the capital and get a return on their investments. But below the surface, things are not quite so straightforward.
A critical theory of hope
Latin American cosmologies of autonomy
‘But it hardly needs saying…’
The seating arrangements in the French Estates-General assumed two sides, left or right, for or against, this or that. Seats have to go somewhere, but the division of politics into two ‘sides’ has certainly encouraged glaring and shouting. It encourages us to believe that this is a practice which requires firm distinctions, and to express disappointment when all available options on a ballot paper converge on focus group centrism. For most people, to recognise something distinctive called Politics, we need to see assertion, struggle, and antagonism.
The politics of consumption
If Politics, following Aristotle (1984), is a matter of analysing, comparing and ultimately creating practices of human association, we will do well to regard consumption practices as inherently political. Such a regard requires us to take a comparative-prospective disposition towards the roles and practices that underpin the production and distribution of subsistence and luxury.
The discursive construction of professionalism: An episteme of the 21st century*
Introduction
[…] all the means by which humanity was meant to have been made moral so far were fundamentally immoral. (Nietzsche, 1998: 36)
Indier than thou – On creative professions, chefs, and the sacralization of margins
Soundly situated in obscurityland,
famous in inverse proportion to how cool I am,
and should I ever garner triple-digit fans
you can tell me then there’s someone I ain’t indier thanMC Frontalot, ‘Indier Than Thou’